Paris Toon is the Billboard charting award-winning entrepreneur and musical enigma behind Mother’s Favourite Child. He is an extraordinary business entrepreneur, songwriter and producer who never seems to stray for a moment from his forward-driven vision of success in the music world and beyond.

Paris started as a hip-hop producer and has done production and remix work for many platinum-selling projects. 

He has worked with George Benson, Carl Cox, Robin S., CeCe Peniston, Adina Howard, Atlantic Records, Warner Bros, Island Def Jam, Gucci, Christian Lou Boutin and many more.

His influences range from Prince, Quincy Jones, Dr. Dre and Kanye West. These influences are evident in his compositions and many of his lyrics. As newer artists came about, Paris’s inspiration grew in even broader directions while still holding firmly to the musical pioneers from the past.  

His writing style has the genres of R&B/Soul, Funk, Jazz, Dance, Hip Hop and Rock to a level unfamiliar to most, provoking intense curiosity and appreciation for the “next phase of business and music”.

With these inspirational forces embedded in his spirit, Paris Toon has set out to push his business and music to the front lines. 

We proudly announce our second highly esteemed thought leader,          investigative journalist and film writer/director/producer, Diana Neille, who will attend and deliver a keynote address at this year's Music Exchange Conference (#MEX24) being held on 30th November, from 9 am to 4:30 pm

Her highly anticipated keynote – A Reporter's Notes on Intermediary Impunity: Can the South African Music Industry be Reformed? – will be one no one invested in the entertainment should miss.

The multi-talented Columbia University Masters graduate will discuss the dark underbelly of the South African music industry, how intermediaries have     crippled the sector for decades, and what changes could and should put music makers (singers, musicians, songwriters, composers, independent producers and publishers) at the core of the business, where they belong.

Diana Neille is an award-winning South African investigative journalist, filmmaker and documentarian known for her in-depth work on issues of corporate and political corruption, social justice, and coverage of the local music sector.

Her recent work on systemic corruption in the South African music industry garnered recognition at the INMA Global Media Awards.

Read her three-part series, Scratched Record, published over the past two years on Daily Maverick here:

Scratched Record, Volume I:

Tribe One Dinokeng – Almost 10 years later, details emerge of South Africa's disastrous 'Fyre Festival'

Scratched Record, Volume II:

An Embarrassment of Royalties (Part One): What can break the music industry's culture of impunity?

An Embarrassment of Royalties (Part 2) — Access to information lawsuit reveals music industry's underbelly

Neille has established herself as a significant voice in South Africa, tackling complex narratives often overlooked by mainstream media. She is a lapsed professional musician, having performed in orchestras, ensembles and bands since childhood. The highlight of her music career was a performance of Beethoven's 9th Symphony at Carnegie Hall in New York City. 

Background and Education

Neille holds a master's degree in journalism from Columbia University in New York, one of the most prestigious journalism programs in the world. Her education at Columbia has equipped her with a strong foundation in investigative techniques, narrative storytelling, and a global perspective on journalism.

Career and Contributions

Throughout her career, Neille has involved herself in projects that hold power to account and shine a light on injustice. She is notably recognised for co-directing INFLUENCE, a documentary which premiered in competition at the Sundance International Film Festival. Influence charts the recent advancements in weaponised communication by investigating the rise and fall of the world's most notorious public relations and reputation management firm: the British multinational Bell Pottinger.

The film was nominated for a Critics Choice and Canadian Screen Award and played at over 35 international film festivals. 

Neille's journalism combines rigorous investigation with compelling storytelling. She has worked with several prominent South African media outlets and international partners, bringing local issues to a broader audience. Her projects often address themes like systemic inequality, environmental degradation, and the impact of corporate malfeasance.

Style and Approach

Neille's style is meticulous and investigative, marked by thorough research, nuanced interviews, and an ability to distil complex issues for her audience. Her work is known for its depth and clarity, often revealing the personal impact of political or environmental issues on ordinary people. She frequently collaborates with other journalists, filmmakers, and activists to produce impactful and insightful work.

Recognition and Impact

Diana Neille's journalism and documentary filmmaking contributions have earned her national and international recognition. Her work on Influence and other projects has placed her at the forefront of investigative journalism in South Africa. She fosters greater awareness and accountability on critical issues affecting South Africa and beyond through her films and articles.

Key Themes

?     Music Industry Issues*: Highlighting issues related to the South African music industry and corruption within intermediary entities like record labels, collective management organisations and other organisations that purport to represent artists' interests. 

?     Social Inequality**: Addressing systemic injustices, economic disparities, and the social challenges marginalised communities face.

?     Political and Corporate Corruption**: Exposing corrupt practices at the highest levels of government and the implications for democracy and public trust.

Diana Neille's work is a powerful example of journalism's role in promoting accountability, justice, and change. She continues to be a formidable force in South African media, advancing the field with each new project.